Interview in ArtDependence Magazine

Published in september 2025 – by Dirk vanDuffel (klik hier voor Nederlandse versie)

Power, History, and Change: The Art of Marit Otto

Thursday, September 11, 2025

"Power, History, and Change": The Art of Marit Otto

Dutch artist Marit Otto experiences art on many levels and in many different ways. She looks for aesthetics and eloquence but also for a particular angle. 

Marit Otto creates contemporary engaged art. She says: “It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.”

ArtDependence (AD): How does your work reflect your view of the world right now?

Marit Otto (MO): My work is a reflection of the Zeitgeist. It’s what I distract from the daily news, developments, movements and fashions. Questions it provokes, sadness it arouses, anger that it sparkles need to find their ways into something visual and meaningful.  Everything eventually solidifies into an image that hopefully radiates something universal, embodies beauty and is also identifiable as critical or/and philosophical. The image may be abrasive, provocative and controversial, but it must also be attractive. It must appeal to the viewer. 

This appeal is essential so that, after their initial encounter with the image, viewers feel compelled to explore it further.

AD: What role do you think art plays in connecting people today?

MO: To be honest, I have mixed feelings. On one hand we see an increase of art lovers all over the world. It has become less elitair and accessible for the masses. That’s a good development. On the other hand we see that commerce is getting a vast grip on every aspect of art in every art discipline.  It has more and more become so intertwined with capitalistic motives. While I truly believe, artists should be independent in their minds and souls. Their talents should not be used for mere financial gain and profits but to offer the world an alternative route or narrative. I believe that art is essential for connection and nuanced communication. But, that being said, also for a bit of fresh air in the minds and hearts.

AD: What message or feeling do you hope viewers take away from your art?

MO: I hope to shake them up a little and make them contemplate about the topics I present to them. This is my message always; there are alternative routes to the one we are all walking now. Change is up to us. But for seekers of beauty I hope to meet their expectations too. Celebrating beauty in art is not vain.

AD: Can you tell us the story behind the artwork artwork, Man’s World, painted this year.

MO:  We see a few men toying and tossing around with a blue ball, resembling the earth. One of them pushing the biggest ball has a likeness with Sisyphus, a figure from Greek Mythology. Sisyphus was a cunning man but made the mistake to challenge the Gods. Time and again he managed to escape the wrath of the gods, but in doing so he only made his ultimate punishment worse. His penalty was that he had to push a boulder up a mountain in Tartarus until the end of time. 

There are a few hooks in this respect with this day and age where men challenge Gods and her creations in many disrespectful ways. What and who this challenged God is and what it represents is something that differs for each individual. Yet we are all witnesses to the dismantling of her creation. You could say whomever God is: supernatural, a miracle or nature,  she’s used and exploited by fickle men with egoist mindsets.

The rock that is eternally pushed up the mountain represents history, which, though
possibly in a variety of guises, repeats itself endlessly. I would add: without genuinely learning from it. The other men in the picture are no celebs in this regard, but merely a group that enthusiastically and devotedly follows a supreme leader, which is the one manifesting itself by masculine scream and roar.

Read whole article at: https: //artdependence.com/articles/power-history-and-change-the-art-of-marit-otto/

Main Image: Marit Otto, Man’s World, Acrylic on canvas

More works on Art to Collect

MAN’S WORLD

Hereby I present my latest artwork to you:
MAN’S WORLD

Man's World - Acrylic on canvas -180 x 100 cm- 2025
Man’s World – Acrylic on canvas -180 x 100 cm- 2025

Acrylic on canvas

180 x 100 cm

2025

Part of the Brave New World series

James Brown cried; ‘It’s Mans World’,

Do you know that man makes money

To buy from other man

………………………………………….

This is a man’s world

But it wouldn’t be nothing, nothing

Not one little thing without a woman or a girl

…………………………………………

He’s lost in the wilderness

He’s lost in bitterness

He’s lost, lawd have mercy now, in loneliness

……………………………………………

I’ve condensed it a little on the key points.

And then I imagined Joe Jackson replied with his Real Men;

…………………………………………….

What’s a man now? What’s a man mean?

Is he rough or is he rugged? Is he cultural and clean?

Now it’s all changed, it’s got to change more

‘Cause we think it’s getting better but nobody’s really sure

……………………………………………………………………

And so it goes, go ‘round again

But now and then we wonder who the real men are

……………………………………………………………………

Time to get scared, time to change plan

Don’t know how to treat a lady, don’t know how to be a man

Time to admit what you call defeat

‘Cause there’s women running past you now and you just drag your feet

………………………………………………………………….

Man makes a gun, man goes to war

Man can kill and man can drink and man can take a whore

Kill all the blacks, kill all the reds

And if there’s war between the sexes then there’ll be no people left

…………………………………………………………………………

And so it goes, go ‘round again

But now and then we wonder who the real men are.

………………………………………………………………………..

And again me condensing it on key points…… but still, a mans point of view on men and I agree on it.

Mans World By James Brown:

Real men by Joe Jackson

Enable & Disable

(Nederlandse versie)

Hereby I present my latest artworks to you; ‘Enable & Disable (diptych)

Acrylic on canvas

50 x 50 x 1cm each

2025

Enable & Disable -Enable & Disable - acryl op canvas - 50 x 50 cm- 2025
Enable & Disable – acryl op canvas – 50 x 50 cm- 2025

Enable and disable; these words hold power to switch on or off. Each time we are asked to enable or disable we take a turn in one direction. This trivial action may have implications.

As individuals we sometimes seem and feel powerless but together we can be a force of change, if we choose to.

Sadly, the global unregulated free market in its current form has been proving destructive to the planet but is now endangering our democracies as well.

At the root of every product is a producer, but then there is also, ultimately, a user. We are that users. Without a user a producer is a king without a kingdom, an empty, harmless shell. So what we as consumers do, buy and use matters. We are able to enable and disable. Switch on and off. With every purchase, we enable someone at the end of the line. We are able to make kings rise and fall and disable or enable anyone who can or can’t handle our confidence and saves or steals our future.

Last Gatekeepers Of Lost Revolutions is shortlisted

(Nederlandse versie)

Wonderful news, my painting ‘ Last Gatekeepers Of Lost Revolutions’ has been shortlisted in the Singulart International Women’s Day 2025 Award!

The jury states that it stands out with its unique perspective on the theme of (female) Bravery.

Last-Gatekeepers-Of-Lost-Revolutions-acryl-op-canvas-beeldende-kunst-Marit-Otto
Acryl op canvas 100/150 cm

About the work itself:
Hovering female figures spreading their arms wide open and floating around. They are jumping and moving simultaneously. They are clearly present and strong. The last gatekeepers is referring to a world where young men, the proverbial sons, are sent to war by other men. This is why, I believe, when women rule, wars will end. No mother in her right mind will ever send her child voluntarily to a war, any war.

Last Gatekeepers Of Lost Revolutions is part of the Metropolitan series and is currently on display in Bruxelles handled by Bernice, Art Rental and Gallery in Temse.


Check this work at; https://www.singulart.com/nl/kunstwerken/marit-otto-last-gatekeepers-of-lost-revolutions-54563

More about the Metropolitan series: https://maritotto.nl/metropolieten-2017-2/

Anxious to hear the final verdict, I’ll keep you posted!

Sea Of Tranquility

(Nederlandse versie)

Sea Of Tranquility 2025 

Acrylic on canvas 

155 x 90

Part of the Brave New World series

Sea Of Tranquility - acrylic on canvas - 155 x 90 cm - 2025
Sea Of Tranquility – acrylic on canvas – 155 x 90 cm – 2025

This painting features 7 alienated versions of me.

I am not truly at ease with the concept of AI, but as an image creator, I felt the need to know where the future of image creation is heading. So I started my first investigation into AI in Photoshop. 

I used a recent picture of myself and simply instructed the conceptual toolbar: ‘’improve‘’. The result of this one instruction was a bit of horror meets a VR-loving alien. A surprising and baffling introduction to AI, but not really a compliment.

I now imagine that in its eyes, my request for improvement could only lead to something that would visually resemble a physical version of itself, just like the creator who created humankind in his own image. As uncanny as this outcome was, it inspired me to create this canvas on which a more sympathetic version of this raw first artificial draft, times seven, rises from a restless sea of tranquillity. 

What AI made of me
What AI made of me

I thank AI for this inspiration, but I am not sure if I will become a frequent flyer, though; probably I will and without knowing that I do, just like the rest of us. She is beyond us.

I’m not sure our lives will get better with AI and all that it embeds and will encapsulate in the future.

 If it were up to me (it is not), I would rather live life with all its beautiful, natural imperfections and oddities with the certainty of death than become a servant of a perfect faceless system with a poor imagination.

This painting is handmade.

Sold ‘Turist’

Happy to report that my painting “Turist” found a new and very loving home this week. Sold to an art enthusiast from Zwolle and it fits beautifully there.

Blij te melden dat mijn schilderij ‘Turist’ deze week een nieuw en heel fijn thuis heeft gevonden. Ze is verkocht aan een Zwolse kunstliefhebber en het hangt er prachtig.

Turist - Acryl op canvas 180 x 100 cm 2023 - Brave New World series.
Turist – Acryl op canvas 180 x 100 cm

In Our Nature 2024

(klik hier voor de Nederlandse versie)

Hereby I present my latest painting to you.

In Our Nature – 2024

Acrylic on canvas

70 x 70 cm

Part of the Side show series

In Our Nature 2024- Acrylic on canvas- part of the Side Show series
In Our Nature 2024- Acrylic on canvas- part of the Side Show series

The blue letters on a paper bag smiled at me from the roadside, It has been there for a while, at least a few days. Yet it hasn’t been so long that either the blue is discoloured or the bag half-decayed. It still looks fresh. Next to the bag, scraps of what was probably a burger. A piece of grey matter in yellow-pink goo hangs bloodlessly from a white bag, with green limp lettuce leaves and a sliver of tomato as irrefutable evidence of knowledge of good nutricion. A pair of soulless and limp fries stick out of a bright red cardboard container. A striped straw protrudes triumphantly from a large white cup with plastic cap which combined with the red tray of fainted fries gives a festive look. What a happy meal this must have been. 

Everywhere I look I find these silent testimonies of feeding frenzy that apparently had to take place then and there and that after a big burp of pleasure suddenly became too much. Was it too heavy on the stomach to move what was left just an inch? 

Evidently, that which was picked up, wheeled around and nibbled on full of desire and gluttony had to be disassociated from as soon as possible, immediately in fact. 

Those who love blue letters can move from A to B while scrabbling. Those less fond of it see mostly a correlation.

Insomnia [a bed piece about bed peace]

(klik hier voor Nederlandse versie)

I hereby proudly present my latest painting to you

Insomnia- [ a bed piece about bed peace ] 2024 – part of the Brave New World series.

Insomnia(a bed piece about bed peace)- Acryl op canvas
155 x 90 cm
2024
Insomnia(a bed piece about bed peace)-Acryl op canvas- 155 x 90 cm- 2024

This canvas took me a while. The messy bedding, duvet and wrinkled sheets forced me to look closely and study what was actually happening there in that fabric. I saw so much detail, hue differences in grey tones, fold lines, creases and bulges that had almost human traits, that there was practically no way out. In the second instance, I chose to leave out a lot of detail again, by erasing it. The turmoil in the image depicts my own turmoil from a while ago. This is my reckoning with that period.

2023- Haunting thoughts kept me awake during a period of 3 months. The thought of haunting thoughts kept me awake. The fear of the thoughts of the haunting thoughts kept me awake and made me anxious to go to bed. 

Tossing and turning, it seemed a never ending attempt to silence my restless heart. Tried [too] hard to ignore noises of wind blowing, cats on roof, a car starting, a street conversation, a train passing, a party in the distance, even the comforting respiration of my man and the snoring of my cat. I hold my heart and belly as my breath is too high up and going too fast. 

My eyes wide shut. 

Hoping to shut the flow of insecure and sad voices within.

A glance at the alarm clock tells me that it’s four AM. 

I scare myself.

All I ever really wanted was peace, peace of mind, peace of heart, bed peace.

and I finally found it,

for now.

Side Show


Acrylic on canvas
62 x 62 cm
2024

From the Side Show series (formerly Post Hoc).

Two silhouettes outlined on a red and white background. A shadow a specter, the negative from the positive. The sun as artist and the nearly absent body as brush.

62 x 62 cm - From the Brave New World series
62 x 62 cm – From the Brave New World series

Side Show

Acryl op doek

62 x 62 cm

2024

Uit de Side Show serie (voorheen Post Hoc)

Twee silhouetten tegen een rood witte achtergrond. Een schaduw een schim, het negatief van het positief. De zon als kunstenaar het bijna afwezige lichaam als kwast.