Last Gatekeepers Of Lost Revolutions is shortlisted

(Nederlandse versie)

Wonderful news, my painting ‘ Last Gatekeepers Of Lost Revolutions’ has been shortlisted in the Singulart International Women’s Day 2025 Award!

The jury states that it stands out with its unique perspective on the theme of (female) Bravery.

Last-Gatekeepers-Of-Lost-Revolutions-acryl-op-canvas-beeldende-kunst-Marit-Otto
Acryl op canvas 100/150 cm

About the work itself:
Hovering female figures spreading their arms wide open and floating around. They are jumping and moving simultaneously. They are clearly present and strong. The last gatekeepers is referring to a world where young men, the proverbial sons, are sent to war by other men. This is why, I believe, when women rule, wars will end. No mother in her right mind will ever send her child voluntarily to a war, any war.

Last Gatekeepers Of Lost Revolutions is part of the Metropolitan series and is currently on display in Bruxelles handled by Bernice, Art Rental and Gallery in Temse.


Check this work at; https://www.singulart.com/nl/kunstwerken/marit-otto-last-gatekeepers-of-lost-revolutions-54563

More about the Metropolitan series: https://maritotto.nl/metropolieten-2017-2/

Anxious to hear the final verdict, I’ll keep you posted!

Sea Of Tranquility

(Nederlandse versie)

Sea Of Tranquility 2025 

Acrylic on canvas 

155 x 90

Part of the Brave New World series

Sea Of Tranquility - acrylic on canvas - 155 x 90 cm - 2025
Sea Of Tranquility – acrylic on canvas – 155 x 90 cm – 2025

This painting features 7 alienated versions of me.

I am not truly at ease with the concept of AI, but as an image creator, I felt the need to know where the future of image creation is heading. So I started my first investigation into AI in Photoshop. 

I used a recent picture of myself and simply instructed the conceptual toolbar: ‘’improve‘’. The result of this one instruction was a bit of horror meets a VR-loving alien. A surprising and baffling introduction to AI, but not really a compliment.

I now imagine that in its eyes, my request for improvement could only lead to something that would visually resemble a physical version of itself, just like the creator who created humankind in his own image. As uncanny as this outcome was, it inspired me to create this canvas on which a more sympathetic version of this raw first artificial draft, times seven, rises from a restless sea of tranquillity. 

What AI made of me
What AI made of me

I thank AI for this inspiration, but I am not sure if I will become a frequent flyer, though; probably I will and without knowing that I do, just like the rest of us. She is beyond us.

I’m not sure our lives will get better with AI and all that it embeds and will encapsulate in the future.

 If it were up to me (it is not), I would rather live life with all its beautiful, natural imperfections and oddities with the certainty of death than become a servant of a perfect faceless system with a poor imagination.

This painting is handmade.

Sold ‘Turist’

Happy to report that my painting “Turist” found a new and very loving home this week. Sold to an art enthusiast from Zwolle and it fits beautifully there.

Blij te melden dat mijn schilderij ‘Turist’ deze week een nieuw en heel fijn thuis heeft gevonden. Ze is verkocht aan een Zwolse kunstliefhebber en het hangt er prachtig.

Turist - Acryl op canvas 180 x 100 cm 2023 - Brave New World series.
Turist – Acryl op canvas 180 x 100 cm

Fly Now Pay Later

(Nederlandse versie)

Pen and ink on paper 70 x70 x 2 cm

Hereby I introduce my latest artwork ‘Fly Now Pay Later’ to you

Fly Now pay Later - pen on paper 70 x 70 cm 2025
Fly Now pay Later – pen on paper 70 x 70 cm 2025

If only we had wings and winged words that could fly us everywhere

If only we could save our last treads of evaporating fantasy

A free flight to the middle of nowhere

We will compensate, 

later.

Silicon Valley

(Nederlandse versie)

Hereby I introduce my latest work ‘Silicon Valley’ to you.

Two silicone brains and adhesive letters on metal base 50cm x 25cm x ± 20 cm

Now on display @ Kunstruimte Het Langhuis

Silicon Valley - Silicon brains and transfer characters on a metal plate - 50 x 25 cm - 2025
Silicon Valley – Silicon brains and transfer characters on a metal plate – 50 x 25 cm – 2025

Freedom is a dance a movement, those who stand idle and unmoved will sooner or later find themselves dancing to the tune of another

Silicon Valley ergo Uncanny Valley

Dedicated Follower in kunstruimte het Langhuis

(Englisch version)

Lichtinstallatie Dedicated Follower is te zien tot en met 05 januari 2025 in kunstruimte Het Langhuis Zwolle
Dedicated Follower - licht expo in kunstruimte Het Langhuis
Dedicated Follower – licht expo in kunstruimte Het Langhuis

Wie volg je, wat volg je, waarom volg je, wie volgt jou en waar draait het uiteindelijk op uit?

#DO YOU FOLLOW ME + #ARE YOU FOLLOWING ME; deze twee lichtbakken, maakten destijds deel uit van de video-installatie Dedicated Follower. Deze installatie was speciaal gemaakt voor de tentoonstelling Rituelen in het Rietveld Paviljoen Amersfoort 2022. Daarna heeft het op twee andere locaties in formatie gestaan met de video Dedicated Follower als middelpunt. De video is ook onafhankelijk vertoond zonder de lichtbakken, onder andere tijdens een Grieks videokunst festival – Video Art Miden in Kalamata 2023 

Lees meer over Dedicated Follower; https://maritotto.nl/dedicated-follower/

Video Dedicated Follower; https://vimeo.com/675842699

Complete installatie; https://maritotto.nl/dedicated-follower-exposure/

Kunstruimte Het Langhuis Goudsteeg 8 Zwolle

In Our Nature 2024

(klik hier voor de Nederlandse versie)

Hereby I present my latest painting to you.

In Our Nature – 2024

Acrylic on canvas

70 x 70 cm

Part of the Side show series

In Our Nature 2024- Acrylic on canvas- part of the Side Show series
In Our Nature 2024- Acrylic on canvas- part of the Side Show series

The blue letters on a paper bag smiled at me from the roadside, It has been there for a while, at least a few days. Yet it hasn’t been so long that either the blue is discoloured or the bag half-decayed. It still looks fresh. Next to the bag, scraps of what was probably a burger. A piece of grey matter in yellow-pink goo hangs bloodlessly from a white bag, with green limp lettuce leaves and a sliver of tomato as irrefutable evidence of knowledge of good nutricion. A pair of soulless and limp fries stick out of a bright red cardboard container. A striped straw protrudes triumphantly from a large white cup with plastic cap which combined with the red tray of fainted fries gives a festive look. What a happy meal this must have been. 

Everywhere I look I find these silent testimonies of feeding frenzy that apparently had to take place then and there and that after a big burp of pleasure suddenly became too much. Was it too heavy on the stomach to move what was left just an inch? 

Evidently, that which was picked up, wheeled around and nibbled on full of desire and gluttony had to be disassociated from as soon as possible, immediately in fact. 

Those who love blue letters can move from A to B while scrabbling. Those less fond of it see mostly a correlation.